#47: Deathtrap

  • Performances: 1,793.
  • Open / Close:  February 26, 1978 – June 13, 1982
  • Theater: Music Box Theatre, moved to the Biltmore Theatre on January 7, 1982.
  • Tony Awards: Nominated for 4, including Best Play and Best Director. Victor Garber who played Clifford and Marian Seldes who played Myra were nominated for Best Featured. The big winner in the play categories that season was “Da” which won 4 awards.
  • Fun Fact: A famous aspect of “Deathtrap” lore is that Marian Seldes appeared in all 1,793 performances; it’s a story that gained her a “Guiness Book of World Records” mention. But this was not 100% true as there are mentions in the trades of her returning to the show after short vacations. Her involvement in the show from beginning to end was likely given an extra marketing push leading to the enhanced story.

Podcast

It is spoooky season, the perfect time of year to consider “Deathtrap.” The popular post-modern murder thriller ran for 4 years on Broadway but, even more impressive, continues to get regularly produced all over the country 50 years after its debut.

I hadn’t seen “Deathtrap” on stage until last year and I was honestly surprised what a rollicking good time it was. Expecting something old and creaky – oh, say like “Night Must Fall” – I was instead treated to a twisty tale that had me second-guessing my assumptions until the end. Oh, and it was super funny as well.

The Richmond-area staging of “Deathtrap” also marked the further assertion of Nathan Whitmer as an actor to watch in central Virginia. He was a highlight of “Murder on the Orient Express” last season and also garnered a RTCC award nomination (one of many to come, I expect) for his starring supporting turn in “Safety.”

Nathan is thoughtful and insightful about this show, specifically, and acting and directing in general. I had a great to talking to him and I know you’ll have an even better time listening to him.

The movie trailer hits a lot of the high points.
I was unfortunately unable to find any footage of the original production but there is at least this commercial.
What I wouldn’t have given to see a strapping young Jonathan Groff in this revival in London!
Here’s the scene that riled many a fan of…well, anything. Reeve fans were mad, Caine fans were mad and fans of the play weren’t happy either. Personally, I think it’s a great addition to the show.
Another key scene!
I agree with much of this assessment. I have a lot of quibbles with the movie – Dyan Cannon being a big one and the treacly music being another — but still, it’s pretty great.
Oh how I love the awkward old interviews! So little polish and artifice. Or at least less than today.
Same with this one of dear old Michael.

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